Although Edward Steichen exhibited some of Saul Leiter's color photographs at The Museum of Modern Art in 1953, for 40 years afterward they remained virtually unknown to the art world. Saul Leiter: Early Color provides the first opportunity to see a comprehensive presentation of images by one of photography's great originals. Leiter moved to New York in 1946 intending to be a p...(展开全部)

This collection of essays on Saul Kripke and his philosophy is the first and only collection of essays to examine both published and unpublished writings by Kripke. Its essays, written by distinguished philosophers in the field, present a broader picture of Kripke's life and work than has previously been available to scholars of his thought. New topics covered in these essays i...(展开全部)

"This book, published to mark the first major retrospective of Leiter's work anywhere in the world, features for the first time, in addition to his early black and white and color images, his fashion photography, the overpainted nudes, as well as his paintings and sketchbooks."--icp.org.

"This book, published to mark the first major retrospective of Leiter's work anywhere in the world, features for the first time, in addition to his early black and white and color images, his fashion photography, the overpainted nudes, as well as his paintings and sketchbooks."--icp.org.

A new edition of Stella Bruzzi's introduction to contemporary non-fiction film. The author addresses key issues within documentary film-making, such as performance, gender, authorship and narrative, and discusses the work of leading film-makers, including Michael Moore, Nick Broomfield and Errol Morris.

An in-depth look at Saul Leiter's entire body of work.

Although Edward Steichen exhibited some of Saul Leiter's color photographs at The Museum of Modern Art in 1953, for 40 years afterward they remained virtually unknown to the art world. Saul Leiter: Early Color provides the first opportunity to see a comprehensive presentation of images by one of photography's great originals. Leiter moved to New York in 1946 intending to be a p...(展开全部)

An in-depth look at Saul Leiter's entire body of work.

作者：比尔·尼科尔斯（Bill Nichols） 美国旧金山州立大学荣休教授，被广泛认为是当代西方最具影响力的纪录片理论家。他的相关著述，如《表现现实》（Representing Reality，1991）等，极大地影响了当代西方纪录片理论的历史进程。 译者：王迟 英国林肯大学博士、美国俄亥俄大学硕士、中国传媒大学硕士，研究方向为纪录片理论，曾长期任教于中国传媒大学。在《电影艺术》《当代电影》《世界电影》《21世纪》（香港）等期刊发表论文多篇，出版著作（The Act of Documenting: Documentary Film in the 21st Century, 2017），出版译著《纪录片：历史与理论》（2015），主编“纪录与方法”丛书第一辑《纪实之后：纪录片创作新趋向》（2017）、第二辑《直接电影：反思与批判》（2017）。

This new edition of Bill Nichols's bestselling text provides an up-to-date introduction to the most important issues in documentary history and criticism. Designed for students in any field that makes use of visual evidence and persuasive strategies, Introduction to Documentary identifies the distinguishing qualities of documentary and teaches the viewer how to read documentary...(展开全部)